uninterrupted gaze (fig 2)
uninterrupted gaze (fig 2), 2023
Watercolour, natural pigment, and graphite on 300gsm Arches cotton paper
140cm H x 114cm W
uninterrupted gaze (fig 2), uses pigments from found flora, rust and rainwater, watercolour and a collection of graphite to bring to life the abundance of movement and activity captured from blind contour drawings of local nature surroundings.
The layers of pigments and gestural marks coincide over two panels, both capable of existing in their own right as a note in time, or together as a unified landscape.
Note: uninterrupted gaze (fig 2) consists of one panel, see uninterrupted gaze (fig 1) for second panel.
uninterrupted gaze (fig 2), 2023
Watercolour, natural pigment, and graphite on 300gsm Arches cotton paper
140cm H x 114cm W
uninterrupted gaze (fig 2), uses pigments from found flora, rust and rainwater, watercolour and a collection of graphite to bring to life the abundance of movement and activity captured from blind contour drawings of local nature surroundings.
The layers of pigments and gestural marks coincide over two panels, both capable of existing in their own right as a note in time, or together as a unified landscape.
Note: uninterrupted gaze (fig 2) consists of one panel, see uninterrupted gaze (fig 1) for second panel.
uninterrupted gaze (fig 2), 2023
Watercolour, natural pigment, and graphite on 300gsm Arches cotton paper
140cm H x 114cm W
uninterrupted gaze (fig 2), uses pigments from found flora, rust and rainwater, watercolour and a collection of graphite to bring to life the abundance of movement and activity captured from blind contour drawings of local nature surroundings.
The layers of pigments and gestural marks coincide over two panels, both capable of existing in their own right as a note in time, or together as a unified landscape.
Note: uninterrupted gaze (fig 2) consists of one panel, see uninterrupted gaze (fig 1) for second panel.